1/10/11

Let the Blaming Begin: Reaction to the Tucson Tragedy

"Are there any queers in the theater tonight?
Get 'em up against the wall.
There's one in the spotlight, he don't look right to me
Get 'im up against the wall.
That one looks Jewish,
And that one's a coon.
Who let all of this riff raff into the room?
There's one smoking a joint,
And another with spots,
If I had my way
I'd have all of you shot."
- Roger Waters
"In the Flesh" 1979


In the wake of a senseless tragedy, human reaction comes swiftly and passionately and is fueled by the empathy we feel for the ones we love. In the days following the politically motivated shootings in Tucson, Arizona, photos of nine-year-old shooting victim Christina Green have surfaced on the internet. Articles relating her aspirations and her family's grief are now burned into the public's consciousness. We find ourselves pressed to make sense of the senselessness; an almost impossible task made even more difficult by our political convictions. Since the shootings, Sarah Palin and her Tea Party have come under fire for being the inspiration for the crime. The Sarah Palin Action Committee website published a photo with crosshair icons covering cities where Republicans hoped to win congressional seats in the 2010 elections; Tucson, Arizona was one of the cities. Palin's "lock n load" rhetoric is also a source of contention for armchair activists looking to crucify her and The Tea Party for "encouraging these imbalanced and violent people to take action" (Walker, 2011). I personally find The Tea Party's rhetoric detestable, but when we begin a campaign to censor the passions of people who are fighting for political and social changes, we become the fascists' greatest allies; we are advocating censorship. Insisting that a watchdog could have prevented this tragedy by ordering The Tea party to tone down their campaign is another blow to civil liberty. I can't subscribe to the idea that The Tea Party is directly or indirectly responsible for the Tucson shooting any more than I can subscribe to the idea the Judas Priest is responsible for kids killing themselves, and I find the victimization of the shooter to be a vulgar obstruction of social responsibility and critical thinking: a smokescreen, if you will, to skirt the issue of human injustice in order to start a political war.

I find it bewildering that so many Americans are shifting the focus from tragedy to politics by confusing figurative language as a call to murder. Are Americans so undereducated and under-read that they are disabled from understanding when language is being used figuratively? I understand that some folks may have difficulty identifying when a crosshair is being used symbolically, but the suggestion that all Americans are in danger of making irrational choices because public figures like Sarah Palin are god-like and speak with ultimate authority over their constituents is frightening. The idea that American citizens are susceptible to corruption because of an ill advised campaign slogan is asinine. The only exceptions are the sick individuals who do mistake political rhetoric as gospel truth, and I do not wish to be part of a society where the rules of the game are changed for sick minds. Most disturbing about the public outcry is this: the idea that the shooter is a victim and not an agent who acted by his own free will.

To suggest The Tea Party advocated murder because of their campaign tactics is to put our own individual means of expression on the chopping block. From our bumper stickers to our bibles, our right to passionately express ourselves is in danger of becoming an implication in someone else's irrational crime. I love my Dodge truck, yet I've never felt the compulsion to vandalize another's vehicle just because I saw a sticker depicting the cartoon character Calvin pissing on the logo of another automobile manufacturer, and if I did so something destructive to someone else's property, I can hardly believe that a sticker would indicate the automaker as advocating vandalism. I have also never been fired upon by a driver whose bumper sticker encouraged me to keep honking while they were reloading (of course I honked, just to be an asshole.) These are minor examples of self expression, but corruptors infiltrate society at its most simplistic level and work their way up the ladder, and once a precedent is set, the doors to tyranny are blown open.

One of the beautiful things about living in America is the freedom to express not only how you feel, but how strongly you feel about it. Unfortunately, there are some who would like you to believe that no American is discerning enough to understand parody and satire without knowledge of the words "parody" and "satire." Consider the lyrics which open this essay; I've been listening to Pink Floyd The Wall for 30 years, yet I've never murdered a homosexual or person whose ethnicity was different than mine. Although this portion of The Wall is satirical, I didn't know what satire was when I was nine, but I thought a lot about what those lyrics could have possibly meant before I truly understood them. It seemed far more irrational to me to hate people because of the lyrics to the song than to think about why those lyrics existed. I've matured to be a tolerant, non-violent adult, and I think most Americans would laugh at the idea of Roger Waters being accountable for any brutality against minorities since 1979, and there are far more people who continue to listen to his records than Sarah Palin's rhetoric.

The Tucson shooting was a violent crime and because the image of a slain little girl is etched into our memory, we long for closure. For most of us, closure can only come when justice is served, and because the weight of this crime is enormous, the apprehension and eventual conviction of one man does not satisfy our need to satisfy ourselves that evil has been thwarted, therefore, we blame. Placing blame is an activity in which every American participates, and the way they place their blame is largely influenced by what they've been taught. Consider education in this country and in the countries of our European allies; Since the Second World War, the emphasis of education has been on competition and production. Roger Waters criticized post war education in Europe. In "Not Now John," from the album The Final Cut (1983), he writes:

"Gotta compete with the wily Japanese / No need to worry about the Veitnamese / Gotta bring the Russian Bear to his knees / or maybe not the Russian Bear, maybe the Swedes / We showed Argentina, now let's go and show these / Make us feel tough and wouldn't Maggie be pleased?"

(Maggie is a reference to Margaret Thatcher.) Roger Waters is not an advocate of war. There has been little emphasis placed on critical thinking and problem solving in American education, and the result is the world which we have made. We produce and consume, we take our daily dose of entertainment news media to satisfy our need to know something, anything; and we blame who we've been taught to hate. Not much can be done about this in the present, but by looking to the future, I believe that great social change can come about through education which encourages people how and why to think, and not what to think.

Censorship already prevails in our educational institutions. You are not likely to find many history textbooks containing the information that scalping was an invention of the white man, and in Texas, they've considering referring to slavery as "Atlantic triangular trade" (Paulson, 2010). The novels I use in my classroom are an invaluable resource for critical thinking and problem solving: social, political, psychological, spiritual and so forth. At the moment I write this, there is an uproar in the literary community over the politically correct rewrite of The Adventures of Huckleberry Finn, and rightfully so; this book illustrates the struggles of class and race the way a history textbook never could, because it is more honest. Some people find honesty offensive, and I find censorship to be the most evil form of bigotry. To erase or dumb-down the embarrassing part of our history is an injustice to those who were part of the struggle. If slavery is not to be mentioned, and all racial slurs are deleted from novels and stories, there are no more stories to tell, except lies.

Ultimately, what I am saying is this; America, pick your battles, but before you do, make sure you understand what it is you are fighting and what the repercussions of the fighting will be, and if the repercussions and changes it brings will be long term or short term. Right now, we need a long term solution to exploitation by political means, and I believe the solution lies within education, and I am choosing to fight that fight. As for Palin and The Tea Party, it is enough for me to call them "a bunch of assholic morons." I felt this way before the shooting, and I continue to feel this way after the shooting, and I am inclined to call said party insensitive for, as of yet, not issuing an apology for offending some people. I say some people because obviously not everyone finds their rhetoric offensive. Still, apologizing to those who do find it offensive shows class, dignity and sensitivity: The Tea Party obviously lacks these, yet I cannot call them murderers, nor can I expect them to apologize for being partly responsible for the murders, because that is ludicrous. The shooter is responsible. The idea that the shooter is a victim who fell prey to the depraved words of monsters, and though as a liberal I am inclined to call them monsters, they are people: politicians with an agenda to change America, is to exploit a tragedy for political gain. And whether or not I agree with their call for changes, I cannot bring myself to blame a political machine for a demented individual's choices.



Works Cited

Paulson, Amanda. "Texas Textbook War: 'Slavery' or 'Atlantic Triangular Trade'? - CSMonitor.com." The Christian Science Monitor - CSMonitor.com. Web. 10 Jan. 2011. .

Sarah Palin's Official PAC | SarahPAC - Sarah Palin's Official PAC. Web. 10 Jan. 2011.
.
Walker, Denova. "Giffords Shooting Is Life in the Era of Lock-and-Load Politics « SpeakEasy." SoapBox. Web. 10 Jan. 2011. .

Waters, Roger. In the Flesh. Columbia, 1979. CD.

Waters, Roger. Not Now John. Columbia, 1983. CD.

5 comments:

  1. Sir Rice,

    Your take on this tragedy and the political aftermath is much like my own. It is mistakable to "blame" the incident on any political organization but very much the truth to claim a personal fault with this man. However, I find it mistakable for the term "assholic morons" to be coined of the Tea Party and/or Sarah Palin.

    I know you are aware that I am conservative, however, I do not consider myself a part of the Tea Party (they are a bit overboard on some issues). Though I do not believe they should have to offer up an apology for offending anybody. This nation has gotten far to politically correct and is beginning to work on dissolving freedom of speech in that regard. The far left has just as much apologizing to do if we want to go there, but they shouldn't have to.

    In the United States, political ideology must be free of speech restriction - it is the very nature of Democracy that gives us the right and the obligation to yell at the establishment. This theme of freedom of speech halts when violence becomes prevalent, obviously; however, I do not believe violent words or phrases were used by Tea Party activists. If you are indicating fault when it comes to Sarah Palin's PAC with the crosshairs on some districts, I too find it to be a bit distasteful - but the idea warranted it. She was using crosshairs because these congressmen/women were "targets" of the PAC to pursued them NOT to vote for the Health Care Bill. Like I said, distasteful, but warranted.

    Now don't get me wrong here, I completely understood your post. I understood that you were not calling the Tea Party on the murders, but were feeling that an apology for offensive comments was/is in order. But long and short of it, if you wish for an apology from the right, lets get one from the left.

    - Brad Gotshall

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  2. I'm not sure this post is about what it claims to be about. Parody, satire, and, in many cases, even figurativeness, are not, so far as I can tell, at issue. Sharron Angle:

    "You know, our Founding Fathers, they put that Second Amendment in there for a good reason and that was for the people to protect themselves against a tyrannical government. And in fact Thomas Jefferson said it's good for a country to have a revolution every 20 years. I hope that's not where we're going, but, you know, if this Congress keeps going the way it is, people are really looking toward those Second Amendment remedies and saying my goodness what can we do to turn this country around? I'll tell you the first thing we need to do is take Harry Reid out."

    If you are able, please tell me what is parodic, satirical, or even figurative about this statement. Or about this one, concerning a possible violent overthrow of the government: "Our nation was founded on violence. The option is on the table. I don't think that we should ever remove anything from the table as it relates to our liberties and freedoms" (Stephen Broden, Texas GOP candidate). None of what you say about Waters and Floyd, and parody and satire, or even the censorship of history books and novels, for that matter, seems to relate to this in any direct way.

    Nor is the issue reducible to a sort of general category of, say, "things that appear in public," which is why Pink Floyd and Judas Priest and Marilyn Manson cannot credibly be included in the same category as Sarah Palin or Sharron Angle or John Boehner. I would agree with you that most--most--people understand that art is figurative and hyperbolic and parodic and satirical and dramatic and poetic and all of that. And it's true (I'm borrowing slightly from Pete Townshend here) that anyone who goes out and kills someone because he thought the fucktards in ICP wanted him to is a jackass and probably would've done it anyway.

    But no matter how much you want to lump artistic expression in with politicians, I'm afraid you can't. If you watch clips from these rallies, a lot of these people, when asked questions, will give you answers almost (or entirely) verbatim from people like Rush and Beck, and many of their political representatives do, too. These folks are not citing their favorite poets or singers or satirists; they believe this is their own knowledge about the world. There's a big fucking difference between the Ramones telling us to beat on the brat with a baseball bat, or a cartoon Calvin peeing on a Chevy logo, and political representatives telling us to exercise our second amendment rights and take out other politicians. The distinction, I think, is an important one.

    [continued]

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  3. On that point, you say, "To suggest The Tea Party advocated murder because of their campaign tactics is to put our own individual means of expression on the chopping block." First, read the rhetoric--in many cases, the call to violence is not figurative, and is in fact quite explicit. If the Angle and Broden quotes I cited cannot be seen as "advocating murder," then I'm not sure "advocating murder" even exists as a thing, outside of someone saying, "I advocate murder." Second, I fail to see how suggesting that some of this rhetoric explicitly advocates or even calls for violence--it does--somehow infringes on my own freedom of expression. To call out the advocation of violence when we see it is to describe something that has been said, not to edit or censor it, nor to prohibit the saying of something that has not yet been said. Your statement, then, is ironic: what it really says is that those who espouse and proffer violent rhetoric are at liberty to do so, but I am not allowed to say what is to me obvious about this violent rhetoric, because I make a rod for my own back in doing so. Well, I say fuck that. They're allowed to say whatever they want, and I'm allowed to call it what it is, which is the explicit advocation of violence against fellow citizens. And when some drooling biological and ontological deformity shows up at some rally with his fucking piece strapped on, you can bet his "expression" is not going to be based on the lyricism of Roger Waters. A map of his brain is going to look a hell of a lot more like Pink's than Roger's. And why shouldn't it, given what, for him, passes for "knowledge"?

    You say: "At the moment I write this, there is an uproar in the literary community over the politically correct rewrite of The Adventures of Huckleberry Finn, and rightfully so; this book illustrates the struggles of class and race the way a history textbook never could, because it is more honest. Some people find honesty offensive, and I find censorship to be the most evil form of bigotry. To erase or dumb-down the embarrassing part of our history is an injustice to those who were part of the struggle. If slavery is not to be mentioned, and all racial slurs are deleted from novels and stories, there are no more stories to tell, except lies." Again, I'm wondering what exactly this has to do with the implication of violent rhetoric in acts of violence. If anything, the lie here would be that these fucks didn't say what they actually said, and/or that what they actually said has had no real consequences in the material world. I don't think that anyone, least of all a student of language like yourself, could ever suggest such a thing.

    "Are Americans so undereducated and under-read that they are disabled from understanding when language is being used figuratively?" In short, YES, THEY ARE. But even that is not the whole issue. Palin's idiotic website and "reload" drivel may have been figurative, yes. But the rhetoric from which it is drawn and of which it is a part is not necessarily so. Pointing this out is not censorship. I am not, in any way, arguing for censorship. These knuckle-dragging goons are free to spout whatever senseless horseshit they wish. They are also free to hang their heads in shame and contrition when one of their misguided acolytes commits an atrocity because he listened to what they were actually saying.

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  4. RPW, points considered. While I hesitate to argue that Sharon Angle's comments are figurative or not, I have not encountered any evidence that The Tea Party are responsible for the shooter's actions directly. Perhaps in the coming months, evidence will surface that the shooter was obsessed with Tea Party rhetoric, and that his actions were a direct result of political persuasion. Until then, to support the idea that this was Palin's or her party's fault is nothing more than hopeful political speculation. And while there is a difference between political and artistic expression, John Lennon was a part time artist, part time political activist in his later years. Perhaps "Happiness is a Warm Gun" is partly to blame for political violence. Roger Waters has also drawn fire from veterans for his blatant political expression in his recent "The Wall Live" tour. And nightly, in the midst of these political statements, he continues to sing the lyrics I cited at the beginning of my post. An unbalanced or undereducated person could easily argue that there is nothing figurative in those lyrics, or perhaps one of these detractors might feel so inclined to turn this satire into reality. I wouldn't blame Roger, I'd blame the jackass.

    Your complete unedited post should put your fears to rest that I am attempting to censor the idea that perhaps The Tea Party are responsible for the Tucson shooting or your right to say so. I feel that is a desperate stretch to silence The Tea Party or turn them into something more liberal friendly, but a stretch that you are entitled to exercise. My reference to The Adventures of Huckleberry Finn is a digression - the point was to illustrate the evil nature of censorship. You said
    "If anything, the lie here would be that these fucks didn't say what they actually said, and/or that what they actually said has had no real consequences in the material world. I don't think that anyone, least of all a student of language like yourself, could ever suggest such a thing."
    I didn't, and I'm not sure why you think I did. You also said later in your post that
    These knuckle-dragging goons are free to spout whatever senseless horseshit they wish. They are also free to hang their heads in shame and contrition when one of their misguided acolytes commits an atrocity because he listened to what they were actually saying.
    "I agree with you, except for the part where you indicate the shooter was following a command. I find it difficult to believe that this tragedy is nothing more than the product of Tea Party rhetoric. In fact, I think it's bullshit. I do think an apology from The Tea Party for offending people like yourself would be in good taste, but that it would not and should not be a apology for the tragedy itself. In fact, I apologize now if I've offended you, but not for my opinions. Would this have happened if the tone of the campaign was less violent? Probably. It seems to me the shooter's mind was made up, and that he made it up for himself.

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  5. Brad, an apology for offending people would be in good taste. Waiting for an apology for other side shows no taste.

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